約 3,601,484 件
https://w.atwiki.jp/englishlanguage/pages/20.html
BRO... Broadbent, J. M. 2008. "t-to-r in West Yorkshire English". English Language and Linguistics 12 141-168. Broadhead, Alex. 2017. "The textual history of Josiah Relph’s Cumberland poems inventing dialect literature in the long nineteenth century", in Dialect and Literature in the Long Nineteenth Century, ed. Jane Hodson. London New York Routledge. Brock, Alexander. 2011. "Bumcivilian Systemic Aspects of Humorous Communication in Comedies", in Telecinematic Discourse Approaches to the Language of Films and Television Series, ed. Roberta Piazza, Monika Bednarek Fabio Rossi, pp. 263-280. Amsterdam John Benjamins. Brock, Alexander. 2012. "Historical evidence of communicative maxims." in Investigations into the Meta-Communicative Lexicon of English A Contribution to Historical Pragmatics, ed. Ulrich Busse Axel Hübler, pp. 271-288. Amsterdam John Benjamins. Broderick, George.2005.Douglas and Appendices Placenames of the Isle of Man. Niemeyer. Brodeur, A.1959.The Art of Beowulf. University of California Press, Berkeley. Broekhuis, Hans P. Fikkert (eds.)2002.Linguistics in the Netherlands 2002. John Benjamins. Broen, P. G. M. Siegel.1972."Variations in Normal Speech Disfluencies". Language and Speech 5 219-231. Broes, A. T.1965"Sir Gawain and the Green Knight Romance as Comedy". Xavier University Studies 4 35-54. Bromber, Katrin Smieja, Birgit (eds.)2004.Globalisation and African Language Risks and Benefits. Mouton de Gruyter. Brommaert, Jan.2004.Discourse A Critical Introduction. CUP. Bromwich, Rachel, et al. (eds.)1991.The Arthur of the Welsh The Arthurian Legend in Medieval Welsh Literature. Cardiff University of Weles Press. Bronstein, A. 1962. "Let s take another look at New York City speech". American Speech 37 13-26. Bronstein, A. J., E. K. Sheldon.1951."Derivatives of Middle English O in Eighteenth- and Nineteenth-Century Dictionaries". American Speech 26 81-9. Brook, G. L.1933."The Original Dialects of the Harley Lyrics". LSE 2 38-61. Brook, G. L.1955.An Introduction to Old English. Manchester University Press. Brook, G. L.1958.A History of the English Language. The Language Library. London Andre Deutsch. Brook, G. L.1970.The Language of Dickens. London Andre Deutsch. Brook, G. L. 1972. "A piece of evidence for the study of Middle English spelling". Neuphilologische Mitteilungen 73, 25-8. Brook, G. L.1976.The Language of Shakespeare. London AndreDeutsch. Brook, G. L. (ed.)1956.The Harley Lyrics The Middle English Lyrics of MS. Harley 2253. Old and Middle English Texts Series. Manchester University Press. Brook, G. L. (ed.)1963.Selections from La3amon s Brut. Exeter University of Exeter Press. Brook, G. L. R.F. Leslie (eds.)1963-78.La3amon Brut. EETS o.s. 250 277. London Oxford University Press. Brook, N. (ed.)1990.The Gragedy of Macbeth. The World Classics. Oxford OUP. Brook, Stella. 1968. The Language of the Book of the Common Prayer. London Deutsch. Brooke, C. F. T.1930.The Life of Marlowe and The Gragedy of Dido Queen of Carthage. New York Gordian Press. Brooke, C. F. Tucker (eds.)1910.The Works of Christopher Marlowe. Oxford. Brooke, T. M.A. Shaaber.1967.A Literary History of England The Renaissance (1500-1600). 2nd edn. London Routledge. Brookes, Gavin David Wright. 2020. "From burden to threat A diachronic study of language ideology and migrant representation in the British press", in Corpora and the Changing Society Studies in the evolution of English, ed. Paula Rautionaho, Arja Nurmi Juhani Klemola, pp. 113-140. Amsterdam John Benjamins. Brooks, Cleanth. 1971. "The English Language of the South", in A Various Language Perspectives on American Dialects, ed. Juanita V. Williamson Virginia M. Burke, pp. 136-142. New York Holt, Rinehart and Winston. Brooks, K. R. (ed.)1961.Andreas and the Fates of the Apostles. Oxford Clarendon Press. Brorstroem, S.1963.The increasing frequency of the preposition About during the Modern English period With special reference to the verbs Say, Tell, Talk, and Speak. Stockholm Almqvist and Wiksell. Brorstroem, S.1979."A diachronic study of structures expressing the idea It s no good -ing, What s the good of …". Studia Neophilologica 51 3-16. Brouwer, Dede, Marinel Gerritsen Dorian de Haan.1979."Speech differences between women and men On the wrong track?". Language in Society 8 33-50. Brouwer, Dede.1982."The Influence of the Addresee s Sex on Politeness in Language Use". Linguistics 20 261-2, 697-711. Brown, A. C. L.1916"On the Origin of Stanza-Linking in English Alliterative Verse". Romanic Review 7 271-83. Brown, B. D.1926."Robert of Gloucester s Chronicle and the Life of St. Kenelm". MLN 41 13-23. Brown, Beatrice Daw, Eleanor K. Heningham, ^ Francis Lee Utley.1951.Ninth Supplement to a Manual of the Writings in Middle English 1050-1400. New Haven, Connecticut The Connecticut Academy of Arts and Sciences. Brown, C.1904."The Author of the Pearl, Considered in the Light of his Theological Opinions". PMLA 19 115-53. Brown, C. (ed.)1935.Chaucer The Pardoner s Tale. Oxford Clarendon Press. Brown, Carleton. 1907. "The Autobiographical Element in the Cynewulfian Rune Passages". Englische Studien 38 196-223. Brown, C. F.1904"Note on the Question of Strode s Authorship of the Pearl". PMLA 19 146-8. Brown, Collin M. Peter Hagoort (eds.).2000.The Neurocognition of Language. OUP. Brown, David West Chris C. Palmer. 2015. "The phrasal verb in American English Using corpora to track down historical trends in particle distribution, register variation, and noun collocations", in Studies in the History of the English Language VI Evidence and Method in Histories of English, ed. Michael Adams, Laurel J. Brinton R. D. Fulk, pp. 71-98. Berlin De Gruyter. Brown, G.1977.Listening to Spoken English. London Longman. Brown, Gillian George Yule.1983.Discourse Analysis. Cambridge CUP. Brown, Ivan B. Ayaka Takeuchi. 2019. "Constructive Critcism in Talk-in-Interaction Experienced Japanese EFL Learners Peer-Feedback Sessions on English Essays", in A Pragmatic Approach to English Language Teaching and Production, ed. Lala U. Takeda Megumi Okugiri. Tokyo Kazama Shobo. Brown, James Dean. 2020. "World Englishes and International Standardized Proficiency Tests", in The Handbook of World Englishes, 2nd ed., ed. Cecil L. Nelson, Zoya G. Proshina Daniel R. Davis, pp. 703-724. London Blackwell. Brown, Keith Vivien Law.2002.Linguistics in Britain Personal Histories. The Philological Society. Brown, Keith (ed.)2006.The Encyclopedia of Language and Linguistics. 2nd edition. Amsterdam Elsevier. Brown, Keith.1991."Double Modals in Hawick Scots", in Dialects of English Studies in Grammatical Variation, ed. Peter Trudgill J. K. Chambers, pp. 74-103. London Longman. Brown, L.1981.English Dramatic Form, 1660-1760 An Essay in Generic History. Yale University Press. Brown, M.1994.James I. Cannongate Academic. Brown, M. P.Understanding Illuminated Manuscripts. London British Library. Brown, M. P.1990.A Guide to Western Historical Scripts from Antiquity to 1600. Brown, M. P. Patricia Lovett.1999.The Historical Source book for Scribes. London The British Library. Brown, Michelle P.1991.Anglo-Saxon Manuscripts. British Library. Brown, Michelle P.2003.The Lindisfarne Gospels Society, Spirituality the Scribe. British Library. Brown, Michelle P.2003.Painted Labyrinth The World of the Lindisfarne Gospels. British Library. Brown, P.1994.Chaucer at Work The Making of "The Canterbury Tales". Longman. Brown, P. S. Levinson.1978."Universals in Language Usage Politeness Phenomena", Questions and Politeness, ed. E. N. Goody, pp. 56-311. Cambridge University Press. Brown, P. S. Levinson.1987.Politeness Some Universals in Language Usage. Cambridge University Press. Brown, Penelope1998. How and why are women more polite some evidence from a Mayan community , in Coates, J. (ed). Brown, penelope.1976."Women and Politeness A new perspective on language and society". Reviews in Antholopology 3 239-49. Brown, Penelope.1980"How and why are women more polite Some evidence from a Mayan community", in Women and Language in Literature and Society, ed. S. McConnell-Ginet, R. Borker, N. Furman, pp. 111-36. New York, NY Praeger. Brown, Penelope.1990"Gender, politeness, and confrontation in Tenejapa". Discourse Processes 13(1) 123-41. Brown, Peter (ed.)2000. (New ed. 2019.)A Companion to Chaucer. Blackwells. Brown, Peter (ed.)2005.A Companion to Medieval English Literature and Culture c. 1350-c.1500. Blackwell. Brown, R.1958.Words and Things. New York The Free Press. Brown, R. Gilman, A.1960."The Pronouns of Power and Solidarity", in Style in Language, ed. Th. A. Sebeok. Cambridge, MA The MIT Press. Brown, R. M. Ford.1961."Address in American English". Journal of Abnormal and Social Psychology 62 375-85. Brown, Roger Albert Gilman.1989."Polite theory and Shakespeare s four major tragedies". Language in Society 18 159-212. Brown, Roger W., Abraham Black, and Arnold E. Horowitz.1955Phonetic Symbolism in Natural Languages. Journal of Abnormal and Social Psychology 50 388-293. Brown, W. H.1897."Valentine or Vilentyne". MLN 12 223. Brown, William H. Jr.A Syntax of King Alfred s Pastoral Care. The Hague Mouton. Browning, D. C. (ed.)1982.Dictionary of Quotations and Proverbs. London J. M. Dent Sons Limited. Brownlees, Nicholas. 2017. " He tells us that Strategies of reporting adversarial news in the English Civil War". Journal of Historical Pragmatics 18(2) 235-251.
https://w.atwiki.jp/mtg2384/pages/1487.html
開催日：2012 / 05 / 13 参加人数：18名 フォーマット：レガシー（～AVR） CBL 59th results. autolink 優勝：Reanimate‐BU 準優勝：UWB Control‐Stoneforge IntuitionSouls 優勝：Reanimate‐BU 使用者：Kaji Kyousuke Main Deck 4《汚染された三角州/Polluted Delta》 3《沸騰する小湖/Scalding Tarn》 2《新緑の地下墓地/Verdant Catacombs》 4《Underground Sea》 2《島/Island》 2《沼/Swamp》 1《絶望の天使/Angel of Despair》 1《鋼の風のスフィンクス/Sphinx of the Steel Wind》 1《大修道士、エリシュ・ノーン/Elesh Norn, Grand Cenobite》 1《グリセルブランド/Griselbrand》 1《エメリアの盾、イオナ/Iona, Shield of Emeria》 2《核の占い師、ジン＝ギタクシアス/Jin-Gitaxias, Core Augur》 4《入念な研究/Careful Study》 4《渦まく知識/Brainstorm》 4《再活性/Reanimate》 4《納墓/Entomb》 4《死体発掘/Exhume》 3《思案/Ponder》 2《思考囲い/Thoughtseize》 3《動く死体/Animate Dead》 3《目くらまし/Daze》 4《Force of Will》 Sideboard 3《呪文貫き/Spell Pierce》 2《真髄の針/Pithing Needle》 1《残響する真実/Echoing Truth》 1《蒸気の連鎖/Chain of Vapor》 1《スラクジムンダール/Thraximundar》 1《外科的摘出/Surgical Extraction》 1《墨溜まりのリバイアサン/Inkwell Leviathan》 2《思考囲い/Thoughtseize》 1《魅力的な執政官/Blazing Archon》 1《実物提示教育/Show and Tell》 準優勝：UWB Control‐Stoneforge IntuitionSouls 使用者：Nishikawa Tomoya Main Deck 4《汚染された三角州/Polluted Delta》 2《湿地の干潟/Marsh Flats》 2《溢れかえる岸辺/Flooded Strand》 2《ミシュラの工廠/Mishra s Factory》 3《Underground Sea》 2《Scrubland》 2《Tundra》 1《平地/Plains》 2《島/Island》 2《沼/Swamp》 4《石鍛冶の神秘家/Stoneforge Mystic》 3《瞬唱の魔道士/Snapcaster Mage》 4《渦まく知識/Brainstorm》 4《思考囲い/Thoughtseize》 4《剣を鍬に/Swords to Plowshares》 3《呪文貫き/Spell Pierce》 2《呪文嵌め/Spell Snare》 1《梅澤の十手/Umezawa s Jitte》 4《未練ある魂/Lingering Souls》 2《直観/Intuition》 1《殴打頭蓋/Batterskull》 2《ヴェールのリリアナ/Liliana of the Veil》 1《イニストラードの君主、ソリン/Sorin, Lord of Innistrad》 1《遍歴の騎士、エルズペス/Elspeth, Knight-Errant》 2《精神を刻む者、ジェイス/Jace, the Mind Sculptor》 Sideboard 2《虐殺/Massacre》 1《解呪/Disenchant》 2《呪文嵌め/Spell Snare》 2《外科的摘出/Surgical Extraction》 2《神の怒り/Wrath of God》 1《真髄の針/Pithing Needle》 1《精神壊しの罠/Mindbreak Trap》 2《水没/Submerge》 2《トーモッドの墓所/Tormod s Crypt》
https://w.atwiki.jp/gohongilab2/pages/40.html
format for references APA Henderson, R. M., Clark, K. B. (1990). Architectural innovation the reconfiguration of existing product technologies and the failure of established firms. Administrative Science Quarterly, 9-30. format for cite Henderson and Clark (1990) (Henderson and Clark, 1990) auther Henderson, R.M. Clark, K.B. bibtex @article{HendersonClark1990architectural, title={{Architectural innovation the reconfiguration of existing product technologies and the failure of established firms}}, author={Henderson, R.M. and Clark, K.B.}, journal={Administrative Science Quarterly}, volume={35}, number={1}, year={1990}, publisher={Cornell University, Johnson Graduate School} } url JSTOR Google Scholar memo pp,12 The essence of an architectural innnovation is the reconfiguration of an established system to link together existing components in a new way. This does not mean that the components themselves are untouched by architectural innovation. Architectural Innovation is often triggered by anchange in a component -- perhaps size or some other subsidiary parameter of its design -- that creates new interactions and new linkages with other components in the established product. Tha important point is that the core design concept behind each component -- and the associated scientific and engineering knowledge -- remain the same. cited as tags Administrative_Science_Quarterly Clark_K_B Henderson_R_M innovation architecture
https://w.atwiki.jp/englishlanguage/pages/493.html
KNO... Knooihuizen, Remco. 2015. "Language shift and apparent standardisation in Early Modern English." Journal of Historical Sociolinguistics 1(2) 189-212. Knowles, Elizabeth M. 1989. "First uses from Foxe s Acts and Monuments in the Oxford English Dictionary an interim case study". International Journal of Lexicography 2(1) 15-23. Knowles, G. O. 1978. "The Nature of Phonological Variables in Scouse", in Sociolinguistic Patterns in British English, ed. Peter Trudgill. London Edward Arnold. Knowles, Gerry. 1987. Patterns of Spoken English. London Longman.
https://w.atwiki.jp/jubeat/pages/1645.html
Mirage of the Mirror アーティストそのものに関しては「Braid ＆ Blade」を参照 この曲は SHAMDEL 3部作 のうちの最後の曲である 現時点でホールド譜面のみで通常譜面はない clanでレベル変更があり、SHAMDELの3部作全てがLv9に降格された BASIC ADVANCED EXTREME HOLD LEVEL 5 8 9.6 HOLD Notes 326 630 763 BPM 122-163 Time Artist SHAMDEL ジャンル オリジナル Version Qubell この曲で手に入る称号 【全難易度クリア】Queen of Oleander 【全難易度フルコンボ】満ちゆく月の光を追いかけて 解禁方法 dig dig Qubell参照 動画 -譜面動画 譜面動画 -プレー動画 プレー動画 攻略・解説 各譜面の攻略に関する情報はこちらへ。 [ADV][EXT]序盤に、1つずつ増えていくホールドあり。うっかり離さないようにしよう -- 名無しさん (2016-04-01 21 44 25) [EXT]序盤のホールドは2→5→12→15→6+11。ホールド終点直後に13+14が出てくる。譜面としてはTowards the TOWERのようなごり押しがメインなので、得意な人は現状の最終解禁曲にしてはあまり苦にならないかも。ただ、物凄い早さの乱打(中盤、バーが途切れるあたり)には注意。 -- 名無しさん (2016-04-03 18 47 13) [ADV]序盤のホールドは1→8→9→16→6+11。前半～中盤は横移動と乱打、後半は同時押し譜面になる。 -- 名無しさん (2016-04-04 21 52 17) [EXT]中盤の下段スライド×2が現れたら、超高速乱打の合図。BPM163の24分乱打=BPM244.5の16分乱打だが、合計12打の完全左右対称なので瞬発力だけで何とかなる。 -- 名無しさん (2016-06-04 22 22 39) [EXT]途中まで易しめの譜面が続くが、後半から難易度が増す。解禁出来るレベルまでプレイしているのなら落ちることはまずないだろう -- 名無しさん (2016-07-08 19 33 34) [EXT]最初の -- 名無しさん (2017-07-17 14 37 51) 途中送信失礼。最初のスライドと中盤の乱打以外これといった難所はないのでクリアは簡単か。アンロックチャレンジではその前に立ちはだかる量子の海のリントヴルム、Cleopatrysmの方が難しいのでこの2曲が出来るならば落ちないはず。 -- 名無しさん (2017-07-17 14 46 33) [EXT]正直なんでLV9なったのかがわからない譜面。序盤、終盤にはLV9では考えられないゴリ押し地帯あり（ステラシニエスタのような感じ）。稼ぎどころは割と多いからそれでLV9になったのかも -- 名無しさん (2017-09-29 03 24 06) 名前 コメント ※攻略の際は、文頭に[BSC] [ADV] [EXT] のいずれかを置くと、どの譜面に関する情報かが分かりやすいです。 ※体感難易度を書き記す際は、クリア難度・スコア難度のどちらかなのかを明記してください。 また、攻略と関係ない投稿・重複した内容は削除の対象になります 攻略とは無関係の話は該当する欄（情報交換＆雑談） にてどうぞ。
https://w.atwiki.jp/fffkindle1212134/pages/12.html
Date A Live 02.Another Closer Encounter [The space shuttle was waiting to launch. Shido and Ririko were speaking at the launching site. Seemingly, it was a situation in the game. Ririko wore space suit so she looked one of the clue members of the space craft] Ririko I don t wanna go to sea yet. Before the shuttle launch, and I leave this glove, there s something I think I d like to know about me... Shido What is it, Ririko? Ririko Everyone wanted you to get really good at flirt on Spirits, so you can make them fall in love with you. I mean, supposed to get better by proxy on me. Shido Yeah, that s the plan. What about it? Ririko I want, just, I m afraid...I m afraid, I might ve been falling in love with you... Shido ... Ririko It s true, we ve known each other forever, you always treated me like little sister... But, do you think you can start looking at me as an woman instead? [Choices of yours were displayed on the screen. They were 1. Of course / 2. I can t do that / 3. Anyway, but I m not interested in women. ---Shido chose option 1] Ririko This is the best day ever! [Happily smiling Ririko jumped at and hugged Shido] Ririko Don t you wait about a thing. I m leaving and waiting from Jupiter. It s like super faraway! Until next time...big brother! [Ririko tried to kiss to Shido, but the helmet of the space suit she wearing blocked doing it. Anyway, end credit role flew, and the message "CG - mode completed" appeared] Shido AAALLRIGHT! Ha ha...hah...I rock... [Real world Shido clenched his fist in triumphant. It looked the time s around early morning] OP --- Narration Spirits, mysterious girls appearing from another world. Should we fight against their pure strength with the weapons of war? Or, should we address them with love? Now, mankind has faced this ultimate decision... [A girl was running through devastated residential area. The area completely burned out, as if a war erupted in there] Girl Dad! Mom! [She turned the corner, then white haired girl found her parents in middle of the street. Houses behind them were in red flame] Man Origami...! [She gave back her smile to them. But then, bright light in the sky burst. The light devoured her parents, herself, whole world. Origami woke up] Origami Ah...! [She didn t wear any cloths. Sweat covered all of her body. She panted heavy breath. It was her nightmare] Reine Shin... Shido Yes, Reina...? [Reine held Shido s head wither both hands. They stood alone in the ill-lighted room. She left her hands after she fingered around Shido s ear. Expectant Shido waited closing his eyes, making up his lip. But that wasn t Reine tried to do. Instead, Shido felt something remained in his right ear] Kotori Are you daydreaming again? It s time to implement stage two of your training. So, you better be ready. Shido Huh? [Shido stood at the passage just out of the class 2-4. His teacher, Okamine stood near Shido, too, facing Shido] Shido (This...is training...?) Okamine Good afternoon, Shido? Is there I can help you with? Shido No...Thank you. Kotori What are you think you re doing?! [Kotori spoke to Shido through the earphone Reine set up beforehand] Kotori Quit waste everyone s time. Hurry up, and make her falling love with you! Shido Do I have to? [In the dark physics preparation room, Shido s voice could heard from the speaker. Kotori and Reine sat at the operation console Reine maintain] Kotori You have to know by now that seducing a Spirit is easier said than done. If you can t even make a human love you, how do you expect convince a Spirit, too? Shido You asking a wrong guy! I m not a stud! [He whispered to his microphone, hidden from Okamine] Kotori We know. Start with you compliments and see what happens? We re hear for response, we ll give you the instruction. Okamine Er...Is there something in your mind? [Okamine didn t hear Kotori s voice] Shido Mm...Ms. Okamine? That s a...cute outfit you wearing. Okamine What? Goodness, you really think so? Oh my, that was very flattering of you. [She made her cheek pink. Looked she don t hate what Shido said] Shido Oh yes! It really does look good! [Shido stuck up his right thumb] Shido So, does your hair, and...those, sexy glasses. Perfect shoes...Perfect stockings...Perfect attendance book, heh... Okamine Shido, is everything alright...? Kotori You got way too into that! Stop it creepy! Okamine I m kind of busy right now. So, see you in class? Shido Er...Ugh, er... Reine This can be fixed. Alright. Listen closely and do exactly as I say. Shido (Sigh) Here s the truth. I love home room. I look forward to going toward everyday. Okamine Oh, that s enough I stay here! I m so glad you like it! Shido The main reason because I get to see you all the time... I can t help it! I think I m falling love with you. Okamine Oh! Come on, don t say such sweet things! Honestly, I m flattered, but students and teachers can t love each other! [Looked she actually was very flattered. Shido pushed more] Shido No! Don t tell me that! I m dead serious...I want to marry you! [Okamine opened her eyes wide] Okamine You want to MARRY ME~?! [Pink aura emerged from Okamine s entire body. She lost her senses, grabbed Shido s arms] Okamine Eek! Is it true? Once you old enough to get married I ll be thirty is that OK? You need to meet my parents. Daddy s get so protective and I think he ll like you, he might ve even given us the house, once you graduate and get decent job, I can retire and start having babies! Then you--- Reine Huh, we underestimated the game easy as that twenty-nine year old single woman. They make for easy targets... Kotori It ll be annoying if she get s more involved than necessary... Hey, Shido. We re done here, so make her some excuse, and get out of there pronto. Shido I m really sorry, Ms. Okamine, I don t think I tried for that hard work commitment! [Shido ran away by mach speed from Okamine. But Okamine was still in her dream] Okamine You can start out in an apartment and work away, or twin three bedroom condo with a backyard...and don t worry about wedding ready, I ve been saving about fifteen years, you can take care the didgy, I ll do the risk! ... Kotori You found a market with older woman. Good to know. Shido Shut up! How can you be so calm! I m about---Gwah! [Shido collided other girl student while he was running. Both fell down to the floor] Shido Oh, man...Sorry about that. ...! [The girl laid on her back. Her leg was open, forming M letter, so her panty was frankly revealed. Nevertheless, the girl quickly regained her proper posture. It was Origami] Origami I m alright. Kotori Perfect timing! Why do you practice with her, too! Shido Huh?! Kotori She s around the same age as you, so it ll be natural. Plus, even she s not a Spirit, she s a member of AST. Doesn t seem like the type of spreading rumor either. Shido But, rumors about what? Kotori Just talk to her already! [Kotori yelled at the monitor that showed the corridor where Shido and Origami standing] Shido Urgh... Er...Hey, Tobiichi. Those cloths are nice on you. Where did you get them? Origami It s a uniform. Kotori Come on, Idiot! You have to put in more effort on that! Again! With more feeling! Shido (I don t know how...) Reine Shin, follow my lead. Shido To be honest, I already know. I ve known all about you for a quite a while now. Origami I m aware that. Shido Oh, that s so. Nice, I m really glad we re in the same class this semester. In fact, I m watching you all the time during the class when you study. Origami Yes. Likewise. Shido Is that so? How random. I also like sneaking into your locker after school, to sniff your gym cloths. Origami Same here. Shido Okay...I wasn t expecting that. Origami And, why not? Shido Who knew we had so much in common, so do you wanna go out with me? [Origami stalled. She didn t respond any reaction. Shido spoke to the microphone with whisper] Shido Okay, I m at a nowhere. Don t you think this is a little sudden? Origami ...I wouldn t mind. Shido Er...?! Origami I wouldn t mind that going out with you. Shido Oh...cool! So, you, wanna, like, go somewhere with me? Something like that? Origami Like a movie? I m sorry, I assumed that you are asking me out on a date, Shido? Am I wrong? Shido No, not at all. That s exactly what I meant. Origami Good. Shido (Getting at...What s exactly what I meant...? How come Reine didn t bay on me out of that one? I m screwed!) [Origami handed Shido something] Shido Er...what s this? [That was a photograph. A portrait of Origami. On the photo, there was a autograph written by Origami herself] Origami For you. Because you like my uniform. Shido Huh? [Then, emergency siren was blown] Announce Your attention please. This is not a drill. They have been precursory signs for impending spatial quakes in this vicinity. Please evacuate to near shelter immediately. I repeat... Origami Something s just came up. Bye. Shido Hey, wait a second! Where are you going?! [Origami dashed away from Shido] Kotori A spatial quake is about to happen. I ve left to the Fraxinus for now. Shido Do you think it s a Spirit? Kotori Yes, "Princess." Should be appearing your exact location. ...Raizen high school. [At the base of the ground force, girls wearing equipment, preparing to encounter the Spirit. All the advertisements and signboards in the city now changed their displaying contents, now all showed warnings of the spatial quake. Walls appeared from under the ground, completely surrounded the school. Under the ground, AST s bullet train stopped for Origami, bring her to its base] Kusakabe They are on their way now! Origami Roger that. [Origami changed her wear to AST s mech-squad s armor, attacked her back to mechanical wings] Kusakabe Here we go! The quake has started! [The space above the high school began deforming, contracting, then burst, swallowed all surrounding material into it. After the spatial quake, half the facility of the school disappeared, as if it was scooped with very large spoon. AST squads stood ready in the woods behind the school premise, waiting for something] Kotori Consider yourself lucky, Shido. the AST CR units are deadly. They weren t build for indoor combat. [Now, Kotori sat on the chair of the commander of Fraxinus] Kotori As long as Princess remain inside the school, the AST will have a hard time interfering whatever you do. Shido With what I do? [Shido stood at the entrance gate of the devastated school] Kotori You know exactly what I m talking about. Shido ... Kotori Relax. This is what you ve been training for the past week. You are as ready as you ve ever been. You wanna save the Spirit, or am I wrong? [Shido recalled the face of Princess, when she turned to look at him] Shido (She s right. I don t ever wanna see that sad look on her face again...) Kotori, you re absolutely sure I can do this? Kotori Yes. Just believe in yourself. You re opposite, and different they dealing on the Spirits, on more intimate method. Remember that. Shido Be friendly with them, use sweet talk, and make them fall for me. [Shido stepped forward to the school building] Kotori You re gonna do just fine. Besides, the Fraxinus has got your back... We, hold the pride of Ratatoskr, are ready to response to any circumstance! [Kotori began introduce her clue members. First, it s a tough looking man with a clue cut. He had white mohawk hair) Kotori With five marries, and five divorces under his belt... The love master! "Bad Marriage" Kawagoe! Kawagoe Mm~, key there! [Kawagoe gave throwing kiss with his two fingers. His subtitle was "Too early to get boring period". Next man, he looked in early old age, having progressively rearing hair] Kotori It s the working girl s favorite in midnight client... "CEO" Mikimoto! Mikimoto Who doesn t love love. [Mikimoto sipped a glass of whiskey. His subtitle was "A president," or CEO. Third, she had a black long hair, sitting with her head down] Kotori Go after this lady s fell in? You ll regret it! Don t you dare pissed her off! "Neil Nocker" Shinzaki! [Her subtitle was "Doll made of straw." She gave a gleaming glance with holding a doll made of straw. Fourth, the man looked usual guy, wearing square shaped, red colored rim glasses] Kotori The man has no fewer than hundred wives! "Dimension Breaker" Nakatsugawa! Nakatsugawa A-OK! [He formed a circle using his thumb and index fingers. His subtle was "The man who surpasses the dimension." Fifth and last, she also looked usual woman, having waving chestnut hair, seeing a picture] Kotori Lastly, a woman whose love is so strong... Not even this, leave a straining order can t keep her away! "Deep love" Minowa! Minowa ...Huh? [She s too focused on looking a picture she s holding, hardly noticed she got introduced by Kotori. Her subtitle was "Under a probation order."] Shido Fantastic. I m aligned on perverts... Reine Don t worry, everyone s gotta one they do. Kotori And, that s only a portion of the troops on our side. Just stay calm. Even if you died, once you can always stat the new game without a penalty. Shido I m pretty sure this isn t a game... Kotori Have faith in your little sister...? Now getting there, flirt! [Shido walked in corridor, arrived at the front of the class room where Princess was. He peeked the room, Princess stood still, alone, seeing outside of the class, the sunset. She turned to Shido. Shido made a gasp. Princess raised her left hand, then slashed down. She blasted a shock wave toward Shido, the impact blew away the building s wall] Shido Whoa! (Coughing)...Wait just a minute! I don t wanna fight with you! Please! Listen to me! [Shido tried to approach, close a distance, but Princess gave another blast to him] "Princess" What s your name? And, why are you following me? Shido Because... Kotori Don t answer yet! [Through an earphone which infixed in Shido s right ear. On Fraxinus, busily analyzed the situation] Minowa There has been a change in a mental statement of the Spirit. Kawagoe Reaction analysis complete! Nakatsugawa Displaying choices on screen! ["1. My name is Shido Itsuka, I ve come to save you.", "2. I m just a passerby! Please, don t kill me!", "3. Before asking someone s name, you should give your own." Choices were read out by synthesized voice of Shido] Kotori Well, there they are. Now, everyone get to work! [Five clue members, and Reine chose their choice. one people chose choice 1, two people 2, three people chose 3] Kotori No surprise here. You guys went to the same one I do. Mikimoto The fist choice is a traditional, true classic. But it doesn t apply a situation. And it does sound a little cliché. Kyohei Option 2 is also out. I fear escapes if he can continue the conversation. Number 3, it is. Kotori I agree. In this case, 3 makes the most sense. So let him leave he ll get know her better. Key, Shido, make up your mind! Now, listen closely and repeat after me. "Princess" What are you waiting for? Answer the question already! [Return to the school, irritated Princess questioned Shido] Shido Mmm... [Shido and Kotori read out the answer in unison] Shido Kotori Before asking for someone s name... Shido You should really give your own first! [Another blast attacked Shido. The blast shuttered most of the glass pane of the building story s window. Shido flew to the wall, but looked not so heavily injured] Kotori Well, that was unexpected. Shido What expected my ass! I could ve been dead! [Shido yelled at the microphone. Princess approached him, making purple glittering electronic ball on her left hand] "Princess" No more time for game. If you do not answer me, I can only assume you are my enemy. Shido My name is Shido Itsuka! I am student of this school! I ve got no reason to bite you! [Shido promptly responded. Princess squinted her eyes] "Princess" Hold on... This isn t the first time we crossed path. Shido No, it s not. I saw you on the Tenth on the city. "Princess" That s right. I thought so... I remember you saying something on to me that day... [Princess quit holding energy ball on her hand. Instead, she grabbed Shido s head, and continued questioning on him] "Princess" You said, you didn t come to kill me, and that you couldn t kill anyone. And, now I know that was a lie. Why else you d be here? [Princess stared Shido] Shido Your face... How come you always look so sad...? "Princess" ... Shido I m not trying anything. And, it s true. I really have no reason to kill you. "Princess" Quit lying! Every single human is out to get me. I haven t on the thing to them, yet they want me dead! Shido I swear that s not true! "Princess" You never answered me... You claimed to have no intention of killing anyone. If that s really the truth, tell me why it is you came here? [Then, another choices appeared on Fraxinus s console. They were "1. Of course, to meet you.", "2. That s not your problem.", "3. It s coincidence. Just happened."] Kotori Oh, first reaction is all that pretty. This time, option one s probably the safest choice. [Shido read out option one] Shido I, I wanted to meet you. "Princess" To meet me...? Why would you want that? [Another choices appeared. "1. I m interested in you", "2. To have love with you", "3. I d like ask you about a thing"] Kotori ...Do you guys have any ideas? Kawagoe I ll recommend straight forward approach. Mikimoto Yeah. Be clear and direct. This girl s way too dense to get anything settled. Kotori That s a good point. We ve already waste the enough time answering all these questions... [So, Shido read out the choice 1] Shido Er, it s simple. I came here because I m interested in you. [The "Pincess" sliced down the wall Shido leaned, just above Shido s head] "Princess" I m in no mood to joke around. Shido I know...And, neither am I. ...You wanna know the truth? I came here so I can talk to you. ["I won t let you make such a sad face." Shido s emotion appeared on the screen] Shido I don t even care what we talk about. ...Not one bit. You can ignore me if you want to. ["I won t let you make such a sad face."] Shido But, know this. I m not like every other human. ["I won t let you make such a sad face."] Shido Because... Kotori Stop it! Wait her signal! Shido Because I ll never let you down! ["Bang." The sound of gun fire resonated in the Spirit s mind. She turned herself back to Shido] "Princess" ...You said your name was Shido, right? And, when you said you were interested in me, were you being serious? Shido Yes, I was. [She turned herself to Shido again, now they were facing each other] "Princess" But, like, serious-serious? Shido Serious-serious. "Princess" ...One hundred percent serious-serious?! Shido One thousand percent serious-serious! "Princess" Ummm...! Jerk! Who was seriously fall for your amateur tricks! Stupid dummy! Shido But, that was from the heart! "Princess" Then, again, this is different. I don t know what your intentions are... But, you are the only human I ve ever had normal conversation with. You know this world, which could serve me well. It might just work...Yup, it s settled. This should prove your usefulness. Shido Er...Thanks, I guess. Oh...oh yeah, what was your name again? "Princess" My name...? I ve never had any one of those... But I suppose I will need one if I want to find out why humans so awful... Okay. Why don t you come up with something you can call me? Kotori Well, she s certainly putting the Fraxinus to work, isn t she? Alright, clue! We need to pick of her name on the double! [Every clue on the Fraxinus wrote down names, which they thought best. But, Reine raise a concern] Reine The few suggestions we have aren t gonna be enough. They want to call in troops from around the world. Kotori One step ahead of you. [Kotori touched console. Then, smartphones all over the world which installed the game "Fall in love My little Seed" reacted. Tonomachi, now evacuated in underground shelter noticed a message] Tonomachi Huh? Gosh, now what does she want? [On the game display there were a message that read "Please, I need a name for my new sister! (Heart)"] Tonomachi Heh heh heh... Your wish is my command. My digital darling! Ai Isn t that "that fool" Tonomachi? Mai He s probably sending a dirty text to Shido. Mei That s so lame... ["Tome" was the name Tonomachi gave to her, or system. In Fraxinus, dozen of names were printed on screen. Among them. Also, names that Fraxinus s clue chose showed up on the monitor. The first shown name was "Misako"] Kotori Come on! Man! We re not naming Princess after one of your ex-wife?! [The suggestion was made by Kawagoe. Next, the screen showed "麗鐘"] Kotori I don t even know how to pronounce that gibberish! Mikimoto It s "Clarabelle." Kotori The 1920 s are over! Can anyone here think of half way decent girl s name?! How about, "Tome!" Shido "Tome"... "Tome" sounds kind a name, right? [Shido couldn t hide his suppressing smirk. Princess s happiness meter, it was showed on the monitor in Fraxinus, had began tumbling down. She attacked Shido with her dark energy ball] Kotori Wow...She s mad... Is "Tome" that bad? [Around Shido, there were countless small hole, such like made by gun shot, around Shido. Shido froze as if he shot by shotgun at point-blank range] "Princess" Don t think I can t tell what a human is attempting to make fun of me. You got it? Shido Okay! Just a minute! (Apologies to anyone named "Tome." but, I don t think I know a single girl would like that name...Think, Shido! There has to be a perfect name for her...!) ["The comment is just Shido thinking in that way, and it does not reflect any idea of the production committee." The caption explaining the stance of the product team of Date A Live flew on the screen] Shido How about..."Tohka?" "Princess" Tohka...yeah, I guess that ll work. [Shido wrote down her name on the chalkboard] "Princess" Is this how it s written? Shido It is. ["Tohka," Princess also wrote down her new name, or scribble it using purple electricity she made on the tip of her index finger, on the chalkboard] Tohka Huh...Tohka. Now, I have a name. I think I like it! Thank you. Shido Yeah... Yeah, you re welcome. [Tohka smiled to Shido. Shido stared her smile, thinking] Shido "Tohka" just means "10th" as on a day we met...But, I hates not like she ll ever need to know that! Kotori Get down, and take cover! [Suddenly, a rain of gun fire fell on Tohka and Shido. From the sky, AST squad delivered a volley of fire] AST member Sure this is OK, captain? Kusakabe We have permission to smoke them out. Once we ve done our job, the enforcement can take care of the rest. [Tohka s force field hadn t allowed the bullet to reach them, so she and Shido were undamaged] Shido Are you alright? Tohka Hurry up and leave while you still can. I d love to continue our talk, but the last thing I want is for you to get hurt. Don t just stand there. Get going before they open fire. Shido ...I m staying right here! [Shido sat on the ground, cross-legged] Shido Sit down. I wanna talk some more. You wanna know about this world, don t you? So, have a seat. Pretend they are not even here. Tohka ...Alright. [She sat near Shido, face-to-face. She s on her knee. AST squad fired a volley again. The noise of gunfire was intense so we can t hear what Shido and Tohka speaking under the force field. But, looks they were chatting merrily each other] Shido I m curious...If you are not a human, what exactly are you? Tohka I don t know...I don t remember how long ago was I appeared out of nowhere... That s all I can recall...most of my oldest memories are fuzzy and distorted. And, honestly I don t know what kind of being I am... Shido That s awful. Tohka I suppose so. My birth was sudden, and inexplicable. And, mech-mech-squad was already in the air when I awoke. Shido Mech-mech...huh? Tohka Them. The noisy flying people... [Tohka addressed it was AST squad, who were continuing firing their guns] Shido Interesting... [Then, an earphone Shido wore rang a bell in Shido s ear] Kotori Here s your chance! Her happiness meter is over seventy! Now, it is good a time as any to make a move. Shido What do you want me to do? Kotori For starter as you, ask her on a date? Shido ...?! Tohka ...? What s wrong? Shido Eh, nothing I m just itchy. Tohka You ve been muttering under your breath for a while... Are you hiding something from me? [Shido lost his composure. He tried patching up] Shido No, no! You over reacting! Tohka Then, tell me what you were saying just now? [Tohka generated, held purple electron ball at the top of her index finger, readied to attack Shido] Shido I...forgot? Kotori Come on...cut it the chaste, and ask her out...? Ask her out! Ask her out! [All crew members on Fraxinus followed Kotori s repetition] Fraxinus crew Ask her out! Ask her out! Ask her out! Ask her out! ... Shido Alright already! Shut up, I ll do it! ...Tohka, I wanna ask you something. Er, but it s...well, it s kind of abrupt. But...will you go on a date with me? [In the sky, among AST, Origami continue firing her machine gun. Captain Kusakabe approached to talk to Origami] Kusakabe Have you receive any new orders, Origami? Origami That s negative, ma am. Kusakabe Even after all this...? [Then, gun shot broke a part of the building. It made AST members could see Princess was talking with someone, in the rain of gun bullets] Kusakabe Someone was down there with a Spirit! Hold on! Hold your fire! [At the time the gun smoke flew away around Princess and her company, Origami immediately recognized who was with the Spirit. She recognized Shido was down there. She contorted her face, activated her light sword, and she nose-dived to attack Tohka] Kusakabe Origami?! Get back here! [Down on the building, Tohka and Shido were continuing their conversation] Tohka What exactly was a Date? Shido Er...you don t know? Kotori Look out! The AST! [As Kotori warned Shido, Origami, falling from sky, slashed Tohka] Tohka How, rude! [Tohka blocked Origami s sword by her energy field. Origami landed in front of Shido] Shido What...Tobiichi?! Origami Stand back! Tohka [Well up?], is it you again? Origami He s not your shield! You scum! [In Origami s view, She thought Shido was captured by the Spirit] Shido ! You ve got it all wrong! Kusakabe What are you doing, Origami! We don t have orders to breaking in on foot! Tohka Sandalphon! [Tohka stomped the ground by her heel. Then, magic circle was drawn on the ground, and huge scabbard, taller than Tohka, wide as like door, materialized. Seeing it Kotori ordered Shido] Kotori Shido! Get out of there now! The Fraxinus will come retrieve you. Shido And leave her here alone? [Tohka pulled out a broad sword, swung. A great impact stormed Origami and Shido] Tohka Um! [Origami tried to block the shock wave, but she pushed back. Shido was dragged in] Origami, Shido Aaargh! [The building s wall collapsed, dust smoke rose from the building] Kusakabe You could ve been killed out there! Do you realize just how lucky you are she became lost?! [Captain s reprimand to Origami didn t drown out from noise of the helicopter which about to convey injured Origami s body. The sky had already turned into night] Kusakabe Exercise some restraint, OK? You re valuable member of AST, so stop acting like it! [Kusakabe yelled to Origami, who now pulled up by helicopter and leaving from the site] Shido (I was there when everything happened. ...Still, the massive destruction just doesn t seem real. But, yesterday was real...) [Next morning, Shido stood at the school building alone. School was closed due to destruction on last day. Shido stared the piece that once the part of blackboard hung on the class room. A scribbled name "Tohka" remained on it. Shido found the piece, and picked up it] Shido (It wasn t a dream at all...) Tohka Shido! Shido (That s right. I really did talk with Tohka, and gave her a name...Crazy) [Shido felt he heard Tohka s voice] Tohka Hey, Shido... Quit ignoring me! [It s not he imagined. Shido tuned back, and he looked Tohka standing on a pile of crumbled concrete blocks] Shido Tohka! Tohka You just now noticed me? Well, you are so dumb! Shido But, how did you wind-up back over here? The spatial alarm didn t even go on! Tohka Why would it? You were the one who invited me back! For a...date, I think? Shido Er... Tohka Well, guess what? It s time for that date! Let s go! Let s go! Let s go! Let s go! Let s go! Shido Okay! Just bring it down a bit! And, you should probably get out that first... Do you mind changing? [Shido pointed at Tohka s costume, a purple armor she wearing] Tohka Right now? You want me to undress in broad daylight? Shido No! Oh, that s not it! Er...Ah! Let me show one example. [Shido showed a photograph to her. Origami was displayed, and she was wearing school uniform] Tohka You think this outfit is better...? ...Why are you walking around with this picture? Shido Quit asking question. Just change already. Tohka Very well... [Tohka split the portrait of Origami in two, and dumped it. Then she raised her right hand, and instantly, she changed her cloths into the same school uniform Origami wore. Her dark purple straight hair tied up with red ribbon, the same kind of string she tied around her neck] Tohka How does this look? Shido Um...good. Tohka Glad you think so. Time for a date! END --- Shido Hey! Stop walking so fast! Tohka You re too slow, Shido! Date time, date time! Shido Oh, sure! Just announced to the entire world! [They were stepping aside the road which was packed by running ground force s vehicles] user-1532268104
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SS Title Ethereal Remedy Type Ability Faction - Attribute - Archetype Priest Cost 6 Level 0 Attack - Defense 2 Bonus - Health - Game Text At the start of your turn, if this ability is ready, your avatar heals 1 damage. Destroy this ability→Ready a unit. 自分のターン開始時このAbilityがReady状態であるとき、自分のAvatarのHealthが1回復する。 （メインフェイズ時）このAbilityを破壊すると、Exertされている自分のUnit1体をReady状態に戻す。 Card Number 1C132(Common,Oathbound) Lore When Eluviel immersed himself in those celestial waters, he felt the pain of years slowly from his wearied body.
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このページはこちらに移転しました Analects～hymn of crows～ 作詞/Bachell 作曲/糞食いマシーン Ｐraise. A master, my joy. Ｐray. A master, my happiness. Ｇlory that. Dearly beloved. Be proud. Dearly beloved. Ｔhe rain of the condemnation. To me the permission. The light of the purgation. To me healing. Ｓo be it. So be it. Be proud. Amen. So be it. So be it. Be wonderful. Amen. 音源 Analects～hymn of crows～ Analects～hymn of crows～（歌：Yuya）
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マクロって？ スクリプトって？ よく使われるものIP表示 マップ選択 専用アップローダURL wikiURL お遊び用チンチロリン マクロって？ IRCの機能の一つです。ご存知の方は読み飛ばして貰ってどうぞ（ ＾ω＾） 発言や行動によってある程度決まった動作をするいわば便利ツールです。ここでは基本的に発言に対して発言で返す物が多いです。 クライアントとしてLimeChatなどを使っていると誰でも簡単に作れます。 ここでは良く使われる便利なマクロを紹介していきます。 ちなみに製作者がいないとマクロは一切反応しません、悪しからず。 スクリプトって？ こちらもIRCの機能の一つ。マクロより複雑な物が作れたりします。 自分で作ろうと思えば作れるかもしれないけど、知識がない場合は似たような動作をするソースを拾ってくることを推奨します。 こちらも基本的に発言-発言の関係で使っています。主にIP表示とか。 便利な物が作れる時は是非作っていきましょう（投 よく使われるもの IP表示 10800 又は 37564 表示例：012.345.678.901 37564 10800あるいは37564と入力することで「IP ポート」の形で表示。 主に37564は蟒酒宴用、10800は天則用に使ってたりそうでなかったり。 Presented by ATRED. マップ選択 まっぷ 表示例：魔法の森 蟒酒宴のランダムで選ぶと天界がやたら多く出て「こんなクソゲーやってられるか！」と某ロリコンがケチをつけたために天界と湖畔（ほぼ確定で長期戦になるため）以外しか出ないランダムマップ選択用に使用。 でも今度は何故か妖怪の山が出るんですよねぇこれ。何とかしてくださいよ焼き鳥さん＾ｑ＾ Presented by ATRED. そふまっぷ 表示例：竹林 ↑のランダムだと妖怪の山に偏る＆たまには天界でともあったので作られたマクロ。 ちょっとだけ出る確率を弄ったのと天界・湖畔も出るのが特徴。まぁ使われてないんですけどね ちなみに出やすさは 魔法の森＝魔法の森・秋＞竹林＞妖怪の山＞湖畔＝天界 らしいですよ奥さん。 Presented by rakuyoujo. 専用アップローダURL ろだ 表示例：http //ux.getuploader.com/gensoubousyuen/ うｐろだを出す時はこれ。いちいちwikiを開く必要もないのでリプをあげるときはこれを使うと便利。 ちなみに、たまにリプ以外の変な物が紛れ込んでるときもあるけど気にしないでね☆ Presented by rakuyoujo. wikiURL wiki 又は うぃき 又は ウィキ 表示例：http //www51.atwiki.jp/y-bousyuen/pages/1.html wikiを出す時はこちら。トピックに常にあったりするけど気にしない。 それでもログが流れるとトピック見るの面倒になるから使えるときは使っていいんですよ…？ どうでもいいことだけど半角カナや大文字アルファベットでも出たりします。豆知識。ろだは平仮名だけなのにね。 Presented by rakuyoujo. お遊び用 こちらは蟒酒宴関係以外のまじでどうでもいいマクロ・スクリプトです。 遊べる時に遊ぼう＞＜ チンチロリン サイコロ 表示例：4 5 6 なんと3つ同時に振れるサイコロ。そんなにいらないだって？ 元々チンチロリンをするために作られたマクロ。1の目が出た時は赤くなる無駄仕様つき。 チンチロのルールが分からない人は「賭博破戒録カイジ」を読むか、こちらへどうぞ。 実際に現金を賭けたりするわけではなく、基本的にじゃんけんの代わりのような感じで使ってたりします。 便利っちゃ便利…なのかなぁ？＾ｑ＾ Presented by rakuyoujo. メンバーはその他にあれば順次追加お願いします。
https://w.atwiki.jp/legendofnorrath/pages/423.html
Avatar4M1 Chel drak(Guardian Of The Codex)Raid Boss Bulwark 〔 6 atk 3 def 3 dmg 20 hp 〕 At the start of each combat involving this avater, ready it. 戦闘の度に起き上がってきます。 Bulwark This avatar takes no more than 1 damage each turn 1 turn で 1 damage 以上受けない！！ ※Bulwarkのｷｰﾜｰﾄﾞ情報ありがとー♪Ability4M2 Cloud of Torpor 4M3 Deal with me first 4M4 Horns of Great Guardian 4M5 Slashing Assault 4M6 Titanic Stomp 4M7 Woe be to thoseItem 4M8 Chel Drak s Ring 4M9 Shell of the Dragon Turtle 4M10 Teeth of the Ancient LordQuest 4M11 Front Antechamber 4M12 Hollow Passageway 4M13 Watery PoolTactics 4M14 Disrupting Jolt 4M15 Out of The Shadows 4M16 Slowing PoisonUnit 4M17 Shadowy Acolyte 4M18 Shadowy Sorcerer 4M19 Shadowy Thief 4M20 Shadowy Warrior 4M21 Skeletal Disruptor 4M22 Skeletal Warrior攻略に向けて、知っていると便利な事。１、ダイレクトアタックで、めちゃくちゃ襲われるよっ！２、各アーキタイプ専用の Unit が出てくるよっ！